Saturday, October 29, 2011

poem || John M. Bennett

bought howl indick.tation
,stone nor glowed ,the
nickels bent an urrinous
Ͽ )thought my trots( a
ringlet doddering o’er
the d.ishw.ater ≈ bl
owfly face ,febre a
marella and the w
a// is st,r,e,a,m,i,n,,g,,,

)your dizzy n●stril drowns(





senda ,droga ,cuerda im
bécil te ama floja im
pacto chupafútil y ,pes
taña por el ≈ lago en
conada y te cae torpe
,mamicturita con las
nubes acumulatas en el

ojo camin o ojo coagulante





butt craw leash feat
her shield mirrors the
glassy knife I o
pened up to fart
.tied you to it you
walked away and
I was “sent” ,a
cowlick in the pantry

“where my shorts were filled with milk”





,dorm ,ant ,boot hu
mming chain click
ing up my leg I
crushed your book
and cuadrupeded
toward the sticky
table where 6 “e” s
rolled and bounced

my sleeeeeep an mildewed socks





strut ,long ddockk slo
ppy football spells
the gutfruit wo
bble of my guest
in dentation su
gar a goat dr
ools beside the
driveway wipe yr
ass with stone

the boat on a mountain sleeps




duck armpit matteration
haw a kill .the root
porridge ,defecate a
jade or lunch conde
nsation of the thic
kened wwindowws
where my shoulder’s

—wired—beneath—the—couch—

Friday, October 28, 2011

poems || Felino A. Soriano




Analyzed Depictions 36

In response to Fred Jung's query: "Gangsterism," you have recorded five parts thus far."

Well, the "Gangsterisms" are, as I was saying before, my compositions are chameleon like in a lot of ways. I started out with "Gangsterism on Canvas" (Soundtrack to Human Motion) and that piece is just based on one of Andrew Hill's compositions, "Erato."

Jason Moran

(—after Moran’s Gangsterism on Canvas)


Appropriate this variant ensemble of stroking renditions,
this
vertical silhouette of
progressive emotional mobility
too (or)
valiant
in the muscular fascination with overwhelming(taking) upon contract with mind and hands’ instructive holding

to verbalize or (though: nonviolent, the purple presented, —unbruise but parallel the thought to a lilac’s expressive hankering)

recreate a rhythm of noted desegregation
a near-plagiarized notion to connect via metaphor or faculty of wandering

(here: not the wandering of quotidian aimless; the wandering expression to unfold architectural
premises of enveloping connections)

personal this expressive interpretation
valid and valued
thus
: intuitive moments then erased as to

withdraw, wholly.


Analyzed Depictions 37

"I guess what it comes down to is, my music is different: the way I write, the way I compose, the way I deal with dynamics, the way I organize the other players in my group is just different."

Matthew Shipp

(While listening to Shipp’s Merge)



Of the laughter

synthesized

formation intuitive hindsight : positioned here relevance
curtails logic’s
winding hands of creating concrete syllables, persuasion the corporeal
fascination reveals
BEHIND
curtained contours
the blend and bodily momentum hibernating surplus
certainty evolves (involves certainly) the burn of the system, the segregated fathoms
of muted human tongue
burgeoned though relocating redirected emotion

spun as permissive

echoes’ discontented

gestures.


Analyzed Depictions 39

"A work of art which did not begin in emotion is not art.”

Paul Cezanne

(—after Cezanne’s The House with Burst Walls)



Rafts
of the rumored dimensions

queries or

fascinations one’s tongue
examines within descendent light and specific devotion

sponsors or celebrates the either-method of paradoxical achievement:

of what
claims
to the pertaining walls, their

slanted
weight of now-reformation
allowing
lens and eye of the wind’s laziest stagnation to

require altered, the conscious desired
reclaiming temporal now-passing and

realize method of tonal disparateness solitary among colors of
turquoise and lilac’s most visual pronunciations?


Analyzed Depictions 40

"In communications, familiarity breeds apathy."
William Bernbach



Range of committed publication, the i.e.

pleasure fulcrum
illuminated of the highest formulations

cultural questionnaires ramble circumstance envelops

sorted syllables of the indented value.

Speech as
direct
possibility

—fractions
portend
delineated
motions of

conjoined mosaics,

the
tongue redirects
inherent
surveys the
querying manifest
talkative
rejoice

amid outcast

dialectics.



purposeful calculations of the endearing modulation.


Analyzed Depictions 41

“Work is love made visible.”

Kahlil Gibran



Relinquish the anti-cleansed rendition of the body’s immobility.
Stagnant whitewash
vocal as a whisper’s repeated mantra, multiplied or pluralized vendettas
finding
movement as a sacred rejection, hoping then the

slouching spine becomes interrelated syllables of a prose worth
interpreting. Yet
how or
why the partition opens:

subsequent upon rejuvenated
laughter, the cleanse of whitened solidity
praise or precise functionality of endeavored numerosity.


3 pomes || Billy Bob Beamer

arte darough ...thimself
saidshough, yawn .awn
glow chambred hundat
throtru crust. call neven
inglylesh soluter relamp
eeparal biffered eea.ch
load dumpnit unive yr.o
sperful irstea ared out u

fixermello happenseter ol
sty strong obdurated flock
ick inducers ettingly greeny
to survive d scall crost goy
timeup splanty rogee givern
argosy dopplrist forget'rblue

bood magendering happed up
res imple brus despbad gondo
flugged in plying onto livisive.sa
apternity being appertance accu
red sound by ser doubless vouch

priest with spacknew motinyin hand





POME11StEps

nu fo ety doj
hep fuub vop,
di faeob toda,

rinse repeat du
clawword repe
wot fu hanli mu

faeob di atoga,
special save al,
l,to wor,fum lop

nuety doj fo eo,b,
aw,wo ordrepeob





over to blow from different
hornshots words breathingre
sting abundance bees mucicah
dried plants attics torn ma old
spoonerlungs pour toward sac
red place [di-hebridal spacial]
prisms song regular playbilly]
drinking carpetscotch hop e yip
head post bodylien slag alliance

what the bot art s click mossydregs
trum pet windtwisting ashes rheum
attic par oxysm oz by demand upon
devoted cattle phantoms a lost melo
over to blow from different wasting

texte || Pierre Ganick

0001 yeoman par diffusion simultanée vide roentgen pesan-te égide vanitas loupe suprématie fil coopératives approfon-die de la documentation simplement apathiques.

0002 empathie entité disgracieux préciser la forme-pensée de manière indélébile le bloc correspondant penchant déchi-ré que l'adaptation simple contrôle la réduction à zéro lacunes saisie pardon folderol immense tête de série.

0003 afin de granit impulsion pulsar mode pratiquant donc désintéressée déplorer bloc entité énergétique en terpret vélin accélération plaintive.

0004 enveloppe antenne grammaire ennéagramme traîneau sur le toit trachée immanence hasard assaisonnement dans les viscères suède raisonnable en céramique à l'écoute.

0005 métallisme ces creuset méritant vindaloo habitant cave analyse feinte miroir contredite pas tification-néant stricte méfiez-vous inter-prétation opaque surréaliste irréel osmi-que grognement banquetto que les caillots elementation cur-seur fanatique simplement harem acide.

0006 miroir dérisoire odeur réification calzone bonheur d'é-boulis étrier ragamuffin essent imitation que politique de fuite horlogeries circonstance à proximité de série pronto leader conservateur euphorique coupable déchiré excessive que le néant effacement site avertir.

0007 offre des solutions de rechange saisir banc entrer n'est pas fournisseur de calibre rien éclat laisse aile forte que les algorithmes entropique seedily amant que brassard degré mitaine acinate forme évent passel intérieure rarement ces reptiles.

0008 heures de saisie gravité plateau en miroir calibre canu-lar intention éboulis légère réaliser normatives, tandis que les bandes bien supposer lunettes regrouper ces surplus répartie que voix-off equisse brusquerie émergents demoi-selle allotropique ternaire où eeriest plaisir suave.

0009 raffinements agrammatize apathie erratiques suspen-sion quotients fuite perroquets igno-ramus élixir tjanting vierge rien vacuole fébriles tour déchirée eachness où l'attaquant.

0010 véhicules impériale parcourir donc protéiforme désin-téressé malédiction vindaloo lumière la nécessité que toute talon empire co-hort utilisant des toits entiers approfondie aligner ornement surréaliste leis cependant danse danse for-teresses qui y sont doux mille-pattes apophtegme miroir eti-quette valence ces appartements en jachère.

0011 vice-roi à part entière abolition dissuader les erreurs répétées vélin siphon tatter ustensile chaque nième coeffi-cient rouvriront pas avant la prise en masse thereins ontique aucune réglementation pub-lican éloquence rapatriés de saisie ci-dessus ternaire.

0012 très attention durcissement rien traîneau horary équitable ne suivent nommé teinte tapis roulant skipper ho-rary nonalliance y hargneux fois rural autrement elle-même la traction notifier placage palindrome ce combat traitement scrupuleux crumble conservation exercé manipulations élastiques patraque mortaise portable relancer jusqu'à ce formative par surréaliste.

0013 gneiss empiriques traiter tissu gnose irréel absences alternative de-fering pense formidable point de vue pla-nétaire longe habitude de combiner vu icarus aujourd'hui sittelle ivoire capillaire météorisation errent évoquent atten-tion slam poivrons candeur ellipse traitement ingrédient présence vacant.

0014 que chaque pied de vigne océan nounal site permettent d'arbres renomme panache de vue de chaque re-nouvellement de ce tissu fab-rication lipides ternaire y sac complètement floue rendu enclume oreille équestre tenuto praline saisir-mens emprunteur vocation manifeste soit at-tendre que bricoler subalternes hatcheck immersion venteux tilde amiable redux locus émergents cessation.

0015 ontologie année pré oeuvre entrée équateur hospitalité vélo que les notes plus bourbier incursion urreal notification complète de mêlée placebo ontique dont le stampede de trait salada mitaine intersection émigré endormi paraffine cos-mique.

0016 à la conférence par le biais dasein rien de fuite this alors affirmer corde lieu rouan structurelles partout solaire avant-toits tenderfoot premier fétuque sang intime trait eregnis amadouer où allée site étiquette voies se croisent promouvoir.

0017 des borg caisso dérouler atome d'ivoire vigne naïve système passe-partout audacieuse au nom de chaque placidi-té lièvre approfondie amalgame tout le site tirer creux que le renouvellement.

0018 entités conscients couverture amalgame soporifiques etc tenuto cabotage rougir forgé tout à fait y scampi retour bande de roulement d'exploitation motions attendait quel-que part défavorables cessez borealis nuance reconnaissants motions voyous impérialisme gratitude lamentations celica globe repas.

0019 balustrade rapatriés aficionado mimétique al épaulette olfactive engourdis sic détritus vide grammaticales numéra-teur listes traiter flot ionique en inventeur tournoi route tous les involution ventilation est librement.

0020 émergentes où les emprunteurs stylisme grammatica-les dally présentation analogie fond empiriques ces burin se brouiller mobiles notification redux gracieuse palliatifs qui miséricordes tact ces substantif troc vannes rétablir point d'équilibre introït énerver sociale.

Thursday, October 27, 2011

pome || Billy Bob Beamer

urms b

lab
blab a

pec-
cancy

worth

slide\salt

beacon
shoedel
purpose

lance

smur-

palt/alt

ever-
shrine
cat o
licklink

brood

cross

a-hind

ash
drone
hober
hover

soprup
syrup
bloody

rumrim
rhyme
f/riterun

gosling-
sati
pop
glim
mer-sh

braces
graded
dedout
said

atwas
ever es
t/
more

text || Edward Nichols

Encapsulated burnt ectoplasma in a space capsule.Loaded with vertigoand space traila streaming behind the dilemnas Avalon digit control Cordon Bleau. Service at the station, a millenium of dirt sheets of foam-harkening the relief of joy in it's transitional maxed- out, ,shutting up the storm in its transitory.Wooden cage, some times reality catching up to me as Ladt -spase the Directorate floats down inher bubble,

Tuesday, October 25, 2011

poems || Jim Leftwich

thesis


tha enla a peop
tha carnival sta

landscape someone
subje


10.25.2011



antithesis


ne explo
th entir corridors

as in very
be proxy
was sou
with addir cor

genera inte
un copi


10.25.2011



thesis


robber 19 ever sir
continual bat

baffle are performance
anov yob too narrative

night
and silent details
gold


10.25.2011

3 poems || Keith Higginbotham


Boot Hemingway
Big shit [patches backwards
portholes in

an improvement]

……………
accumulate some book
times.

The market koala
flutes
bare-footed to;
up a sleeve’s
manuscript the

question hypnotized [underwater the

concierge].




Maimed Envisions O
His dollar’s lounge coughs
his of new antelopes
copying;

back in strange, wreckage phantom yet
the not career will

like and
”; like / buddy enough would [like
anthology—settled

charges: and psychic bouncer] the
hotel

an infinity casino I
greet capsize—a reined
heart; that
sharks this be: and

nozzle.




©) Itemized
fucked.
marlins into
me
debut velour fiction halogen
checks but counting

cigarette award-winning route the
writing city will
rest the sea

(receipt enough my leisure
hometown
cocktail) the
water

televised from leaks.

poems || Jim Leftwich

thesis


01. infrastru but ne
02. anemic devised
03. a philt
04. poir by thos
05. hur contra unexpe fi
06. envelopes of what

07. localities
08. speak other or o glo feed
09. pitfalls of work

10. pres
11. unint

12. presceint presence
13. lint
14. pavilio spiders web in the shape
of ne shake th thoughts through
asemic lint poems to choose the
spheres mist between our hallowed syntax

15. lets say mu net beautifully sinuous
16. woven density of thought
17. according to existence

18. alor concept globalizatic
19. sphere mover to genen knots
20. seamless implied by per lateral identities

21. togeth suit withou
visually
bones of a cat
22. the vegetable ne length cot ecology
23. the quality of clamoring for identity

24. the quality of clamor for a solitary idea

25. experiential scales interpre
26. galactic disciplines
27. common to representational support notion

28. bubbles whole
that no cake
around our radiate dismantled few
29. solio ider
30. now o suw this packag bacteria cross

31. for me they are linked at nesting although how
32. for me by extending livable
appeals to arrayed in earthworms

33. while humans n the old image v Renaissance
is no overall quadrilateral borrow
of the inte cont conn they do not reside
through the edges in which case
34. also avoid
35. i
36. and no

37. the eel is beautiful and elegant
as an engine of possibility
38. psycho noti within
39. there was only one subjective than more nothing
40. philo no cosm


10.25.2011



antithesis


the noise plots
ar index na
scripts ide ent
subjectivity

power co nu
disappearance
of the poetic
mos ta sequ

invisible
expenditure
pa engag

1. historical
2. shellfish


10.25.2011

Monday, October 24, 2011

poem || Jeff Harrison

Moth Money Declaration

collecting what's
bursting in on that comma
see — spidery sea
dear for warmth
& a puzzle not lacking
what's usually winked away
you'll remember my pulse
by its corners
by what's kept in the blink
fly, frog — Poor Time in
a part for all
largest stillest shadow
at last talking, officer
I twist apart small bodies
by the hour for a clue
flowers, I opined,
walk the storm down
their thorns are tonic
for the multitudes
what is face-down will
no longer get oil from me

poem || John M. Bennett

amamixta

amant

encléptico

roll

glass crumb

fog knot

eemanate
tor
shotsa
mate

each lug was

banda

los fusiles enjambrados

tuercón

asada

mist

o

gopher choke

pleniludinario

“lusión”

Sunday, October 23, 2011

pome || Billy Bob Beamer

POMEesque.6ook

one pound virsqueeze
healmil led ton pepper
jumptub bisdew sauce
book tongue fruit firm
apple choke ilrcit cutt

iridescent huecry infra
rational cruciform post
script sashesshoein mil
kytiming hen rim ruining
taken waters still freight

bachelors widows stripped
strawberry bruised thymeup
parsley scattered blo hunger
quartertup fire turnips firprats
simmering waterwhipped cret

bawn blooches pebblelaughto
cherrycheerily among downso
triptychal religious herringeveru
turgid tarp on russets consonant
partywall bunkersheels joint mak

quickscribbler wee peep see all all

poem || John M. Bennett

GOAT STREETS

Found in jim Leftwich’s
Six Months Aint no Sentence Book 10


reflected train dance

copy ceiling

holes ,letters

wh parts perio

gas form code
leg
sofa
verb private

beef language

fish
herd
hearse

seething exits

o in to
ear cheese

chaos glass

anticip

eyes dualis watch

wind head dwarf
name

ti me me it ermed

inches horn

ellipti histor

distrusion ,ache potato

circles )fetish(
har vulner

ano blood pig

eggs magaz

distant yawn border

facis artifac
illus spac

e

DEMO )grasp( po

lice

)eye ,telephones(

rat-fork snow-cones
green
pork

cage
socks

the
gather window

“word” fec
e s taring

chicken cause fork hangnail

shut
breath
bean corpo

horse dollar cheeks

static breakfast utopia
bug towers
dots
“fork”

argot down
the geysers the

assholes disloca
sleep job

grinder wound

feet

blizzards

slant cult swimmers

political radius
sirens
combs
moth

basement froth

bees
)lichen persistence(
buttered struggle

shiny blockades

plazas
toxic fountain
glob fold

seas

theater

mice

war

clocks



John M. Bennett - October 23, 2011